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This book is the fruition of work from contributors to the Art and Cartography: Cartography and Art symposium held in Vienna in February 2008. This meeting brought together cartographers who were interested in the design and aesthetics elements of cartography and artists who use maps as the basis for their art or who incorporate place and space in their expressions. The outcome of bringing together these like minds culminated in a wonderful event, spanning three evenings and two days in the Austrian capital. Papers, exhi- tions and installations provided a forum for appreciating the endeavors of artists and cartographers and their representations of geography. As well as indulging in an expansive and expressive occasion attendees were able to re? ect on their own work and discuss similar elements in each other's work. It also allowed cartographers and artists to discuss the potential for collaboration in future research and development. To recognise the signi? cance of this event, paper authors were invited to further develop their work and contribute chapters to this book. We believe that this book marks both a signi? cant occasion in Vienna and a starting point for future collabo- tive efforts between artists and cartographers. The editors would like to acknowledge the work of Manuela Schmidt and Felix Ortag, who undertook the task of the design and layout of the chapters.

Geodesy. Cartography --- Graphic arts --- geodesie --- grafische vormgeving

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i know it isn't fair, but some time ago I came up with an all-purpose response to that question of questions that we are faced with so often that we've come to forget or overlook what we're really being asked. You know the one. It's usually raised when you're in a group, and someone in some sort of petty authority say a waiter or a tour guide or a stewardess is presiding. Tis person is talking to you all, explaining something the daily specials, how we'll all meet back here at the bus in forty-?ve minutes, that you can't use the bathroom while we're taxiing and at some point they ?nally stop. And then they ask it: Does anyone have any questions?  Now, if I am part of this group and feeling especially put-upon by this person or otherwise disruptive, I will raise my hand. Yes?  they will inevitably ask. And I will say it: Um, why does evil exist?  And, wow, that really throws them for a loop. Um ¦  Like I said, it isn't fair. Fish in a barrel, really. But they asked, and I'm asking. Uh, what do you mean?  Tey always say that, too.

Graphic arts --- grafische vormgeving --- Good and evil in art. --- Graphic design. --- Graphic Design. --- Evil in art

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"Méthode de travail pour l'élaboration de logos et de chartes graphiques.

Logos (Symbols) --- Logography --- Graphic arts --- Logos (Symboles) --- Logographie --- Arts graphiques --- Technique. --- Technique --- #KVHA:Logos --- Grafische kunst --- media --- information --- communication --- methodologie --- informatie --- communicatie

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A strong visual identity makes an immediate and lasting impression, a vital step in creating relationships with consumers. A designer must understand the brand inside and out, and create a visual signifier that represents the company on multiple levels. Telling a brand's story through good graphics is one of the most direct and effective ways to introduce a brand to its market. The cafes, restaurants, media companies and organizations in this book have all chosen striking ways to tell their stories. With more than 100 designs by 80 designers and agencies, along with insights into the businesses being represented and the connection between product and presentation, Fully visualized is the ultimate inspiration guide for designers and business owners looking to turn heads and set themselves apart from the crowd.

Design tekenen --- Tekenen --- Illustraties --- Logo's --- Typografie --- design --- Logos (Symbols) --- Commercial art --- Graphic arts --- Branding (Marketing) --- Brand name products --- Marketing --- Advertising --- Art, Graphic --- Arts, Graphic --- Graphic design (Graphic arts) --- Graphics --- Art --- Visual communication --- Advertising, Art in --- Advertising, Pictorial --- Advertising art --- Art, Commercial --- Art in advertising --- Commercial design --- Art and industry --- Posters --- Motion picture billboards --- Design --- Logo's

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Every day we share encounters with others as we inhabit the space around us. In offering insights and knowledge on this increasingly important topic, this book introduces a range of empirical and theoretical approaches to the study of shared encounters. It highlights the multifaceted nature of collective experience and provides a deeper understanding of the nature and value of shared encounters in everyday life. Divided into four sections, each section comprises a set of chapters on a different topic and is introduced by a key author in the field who provides an overview of the content. The book itself is introduced by Paul Dourish, who sets the theme of shared encounters in the context of technological and social change over the last fifteen years. The four sections that follow consider the characteristics of shared encounters and describe how they can be supported in different settings: the first section, introduced by Barry Brown, looks at shared experiences. George Roussos, in the second section, presents playful encounters. Malcolm McCulloch introduces the section on spatial settings and - last but not least - Elizabeth Churchill previews the topic of social glue. The individual chapters that accompany each part offer particular perspectives on the main topic and provide detailed insights from the author's own research background. A valuable reference for anyone designing ubiquitous media, mobile social software and LBS applications, this volume will also be useful to researchers, students and practitioners in fields ranging from computer science to urban studies.

Social sciences (general) --- Sociology --- Programming --- Computer architecture. Operating systems --- Computer. Automation --- Graphic arts --- mens-machine communicatie --- sociologie --- applicatiebeheer --- apps --- computers --- grafische vormgeving --- informatica --- maatschappij --- sociale wetenschappen --- architectuur (informatica) --- interfaces